Deke Dickerson backed by The Modern Sounds

Deke Dickerson backed by The Modern Sounds

Southgate House
Thursday – Sep 24 – 10:00

3-day passes for the Midpoint Music Festival will be accepted. $8 ADV / $10 DOS Ages 18+

Los Angeles, CA Backed by Joel Patterson and The Modern Sounds from Chicago, IL

Deke Dickerson is one of America’s musical treasures. As an entertainer and musician, he has toured the world and established himself as one of the foremost purveyors of roots music, headlining festivals from Las Vegas to Finland.

As a writer and music historian, he is well known for his regular column in Guitar Player magazine and recently authored two enormous essay projects for Bear Family’s 2007 Merle Haggard box sets. As an entrepreneur, Deke has partnered with Hallmark Guitars to produce the Deke Dickerson model guitar, as unique in its design as its namesake. As a behind-the-scenes mover and shaker, Deke has recorded songs that have been featured in a variety of movies, TV shows, and radio programs, from the Oscar-winning movie Sideways *to HBO’s documentary *Dirty Driving: Thundercars of Indiana and the hugely popular XM satellite radio show Theme Time Radio Hour with Bob Dylan. For this last, Deke not only contributed background guitar music but was also interviewed and quoted by Bob Dylan.

Deke’s latest project is his new studio album, King of the Whole Wide World. Like his previous albums it’s a musical journey through the twisted roots of Americana, but this time the roots go deeper and further than ever before.

He comments, “People love to label me rockabilly, but that’s just a small fraction of what I do. There are a couple of great rockabilly songs on the new album, but there are a lot of other styles as well, from bluegrass (“Boone County Blues”) to western swing (“Misshapen Hillbilly Gal”) to Memphis soul (“Make Way for a Better Man”) to doo-wop and rhythm and blues (“Itchin’ for My Baby”). The title track (“King of the Whole Wide World”) could even be called old-timey; it’s a tongue-in-cheek, autobiographical song about being a rich man without the constraints of money or fame. I decided the song sounded better with some 78 rpm record noise dubbed onto it. Call me sentimental, but I really think music like that sounds better with a little grit.”